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Boo
Hewerdine |
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The life
and career Boo now has first began to blossom with the group
he formed in the mid-Eighties, The Bible. Two of their finest
songs, “Graceland” and “Honey Be Good”,
came tantalisingly close to becoming huge hits. (A third,
“Glorybound”, is one of the recordings about which
Nick Hornby rhapsodises in his book 31 Songs.) Boo now wishes
he could have enjoyed The Bible’s time on the verge
of success a little more. “I think I felt under a lot
of pressure,” he reflects. “There were a lot of
people telling me what I should do and I felt very bullied.”
And some things take years to seem funny. The Bible first
decided to disband after being flown over to Germany to perform
“Honey Be Good” on, they belatedly discovered,
a talent show. A man who wore a bowtie with lights on that
spun round, and who went by the name of Mr Gadget, won with
140,000 votes. The Bible were told that they had received
twelve votes. “We all took it so personally that we
split up,” says Boo.
The first Boo Hewerdine solo album, Ignorance,
was released in 1992, followed by Baptist Hospital in 1996
and Thanksgiving in 1998, both made with Nick Drake producer
John Wood, and by Anon in 2002. In between, in 1994, The
Bible briefly reformed though the album they then recorded
wouldn’t appear until released as Dodo at the end
of the decade. That same year five songs Boo had written
or co-written appeared on Eddi Reader’s Eddi Reader,
triggering a parallel career with her that continues to
this day. (In 2003 he produced the acclaimed Eddi Reader
Sings The Songs Of Robert Burns.) Over the past decade Boo
has not only regularly played and written together with
Reader, but has also enjoyed composing songs for her under
her instructions: “Writing for Eddi, I’m forced
to write from a woman’s point of view a lot of the
time. She sets me homework. One song she asked me to write,
which I nearly did a version of on Harmonograph, is called
‘Forgive The Boy’ – she said, ‘I’m
a single mother and I’ve got two teenage sons and
I want you to write a song about how women should sometimes
forgive the way that men behave’. I like doing that.”
For many years Boo had been writing with
and for other artists – in 1989 he released a whole
album, Evidence, in collaboration with the American country
singer Darden Smith – but towards the end of the Nineties
he also began to write songs for and with pop artists, something
he considers a complete separate endeavour. “I don’t
think of myself in that world at all,” he explains.
“It’s just I quite enjoy the Brill Building
aspect. I enjoy it because it’s not what I do.”
Amongst the many artists he has written for in this way
are Natalie Imbruglia, Mel C and Alex Parks.
Meanwhile, other songs had their own adventures.
Baptist Hospital’s “Last Cigarette”, for
instance, was covered by k d lang (as “My Last Cigarette”)
on her smoking-themed album Drag. And in 2004 Boo was asked
to re-record Thanksgiving’s “Bell, Book And
Candle” for a climactic, award-winning death scene
on the TV soap Emmerdale.
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