Boo Hewerdine
 
   

The life and career Boo now has first began to blossom with the group he formed in the mid-Eighties, The Bible. Two of their finest songs, “Graceland” and “Honey Be Good”, came tantalisingly close to becoming huge hits. (A third, “Glorybound”, is one of the recordings about which Nick Hornby rhapsodises in his book 31 Songs.) Boo now wishes he could have enjoyed The Bible’s time on the verge of success a little more. “I think I felt under a lot of pressure,” he reflects. “There were a lot of people telling me what I should do and I felt very bullied.” And some things take years to seem funny. The Bible first decided to disband after being flown over to Germany to perform “Honey Be Good” on, they belatedly discovered, a talent show. A man who wore a bowtie with lights on that spun round, and who went by the name of Mr Gadget, won with 140,000 votes. The Bible were told that they had received twelve votes. “We all took it so personally that we split up,” says Boo.

The first Boo Hewerdine solo album, Ignorance, was released in 1992, followed by Baptist Hospital in 1996 and Thanksgiving in 1998, both made with Nick Drake producer John Wood, and by Anon in 2002. In between, in 1994, The Bible briefly reformed though the album they then recorded wouldn’t appear until released as Dodo at the end of the decade. That same year five songs Boo had written or co-written appeared on Eddi Reader’s Eddi Reader, triggering a parallel career with her that continues to this day. (In 2003 he produced the acclaimed Eddi Reader Sings The Songs Of Robert Burns.) Over the past decade Boo has not only regularly played and written together with Reader, but has also enjoyed composing songs for her under her instructions: “Writing for Eddi, I’m forced to write from a woman’s point of view a lot of the time. She sets me homework. One song she asked me to write, which I nearly did a version of on Harmonograph, is called ‘Forgive The Boy’ – she said, ‘I’m a single mother and I’ve got two teenage sons and I want you to write a song about how women should sometimes forgive the way that men behave’. I like doing that.”

For many years Boo had been writing with and for other artists – in 1989 he released a whole album, Evidence, in collaboration with the American country singer Darden Smith – but towards the end of the Nineties he also began to write songs for and with pop artists, something he considers a complete separate endeavour. “I don’t think of myself in that world at all,” he explains. “It’s just I quite enjoy the Brill Building aspect. I enjoy it because it’s not what I do.” Amongst the many artists he has written for in this way are Natalie Imbruglia, Mel C and Alex Parks.

Meanwhile, other songs had their own adventures. Baptist Hospital’s “Last Cigarette”, for instance, was covered by k d lang (as “My Last Cigarette”) on her smoking-themed album Drag. And in 2004 Boo was asked to re-record Thanksgiving’s “Bell, Book And Candle” for a climactic, award-winning death scene on the TV soap Emmerdale.

 
 
PLAYERS
MODEL

Rosewood OM
Rosewood J-45